Samuel Minier:

Writing in the Dark

 

 

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Hammerhead

 

Please.

No.

It’s the last one.   Just to get us through, until we’re finished –

No.

(Silence)

(Silence)

Aren’t you gonna ask?  Aren’t you even curious?

No.

Why?  But oh please, why not?

Because I’m tired.   My hands ache.  My mouth is raw from grinding.  I don’t want to do anything but finish this, and then sleep.  Crawl into a coma.

Please.

(Chewing sounds)

For me.

(Silence, then a sigh)

So.  What’s this one about?

Thanks –

Don’t.  Just tell the goddamn pitch, don’t fawn like some goddam little girl.  And keep working while you’re doing it.

Ok. 

(Deep breath of preparation)

Ok.  I call this one Hammerhead.  There’s this poor little deformed kid, an actual kid with a head shaped like a hammer head shark –

Human mouth or shark mouth?

Oh.  Human, definitely. 

Hm.

What?

Nothing.  Keep going.  And pass that, the left one.

Here.  But what’s wrong with the mouth?  Oh it sucks already, doesn’t it?  I’m never gonna break into the movie biz –

Don’t start, goddamit.  Don’t even fuckin think about it.  Tell.  Your.  Idea.

Ok . . ok.  So this poor little deformed boy, with a rectangular head, one eye stuck on each end.  His skin is shriveled and hangs from his bones like drapery.  Each eye is shrunk to a pinpoint, from lack of sunlight –

 - cause his mom doesn’t let him go outside to play.

Right!  Of course not.

Course not.  Can you do your share?  Pretty fuckin please?

Ok. 

(Becoming muffled.  An occasional crunch). 

Ok, so he’s not allowed outside because of his mother.  She’s worried they’ll all make fun of him, all the other kids.  So he just sits in his boarded-up room and watches movies all day, and puts his beady little eyes, one at a time because of the shape of his head, you know,  he alternates each eye, peering through the single knot-hole in the planks over the window.  Straining to see outside.  That’s his days – movies and the knothole.  And checking to see if she forgot to padlock the door.

And then one morning she does.

Right!  And so he charges out the bedroom triumphantly, running to the front door, his beautiful spirit shining through his horrible face –

But when he makes it outside all the kids scream and scatter.

Wrong!  Just as he is opening the front door, his Mom returns home.   And when she catches him, catches him breaking her number-one-rule . . . she kills Makura.

She kills the kid?

No, not him.  Makura.

Who the hell is Makura?   Here, give me that.  I can snap the bone down easier.

Makura’s his pet shark.  Didn’t I mention that?

No.  Where the hell does he keep a shark?

In his aquarium, on his dresser.  He’s only like two feet long.  Hammerheads only grow to the size of their containers.

I think that’s alligators.

Oh . . . oh shit, you’re right.  I’ll have to rework –

(A slurping noise)

 - that.  But yeah, when his mom catches him trying to leave, she throws him back into the bedroom, then reaches into the aquarium, snags Makura by the tail, and smashes him against the wall!

(Sigh)

The boy beats the Mom to death with the shark’s lifeless body, right?

Damnit! 

(pause)

Damnit!  How did you see that coming?

I just know how your mind works.  Kinda hard not to.

It sucks, doesn’t it?  Just like all the others?

(Silence)

Doesn’t it?

(A pause, then a thick, choking, raging laugh)

Yeah.  It fuckin sucks.  But at least it’s not as bad as the rest.  The deformed shark-boy who makes the team, becomes a football star – yeah, that’ll work – 

Shut up.

– or the – oh God – the deformed shark-boy who falls in love -

(More hacking laughter.  Spattering of food bits against a wall.)

Shut up!

– with a fuckin carp . . .  oh God . . .

I’m just trying to better our lives, get us out of here . . .

No, that was my decision!  Remember, two days ago?  And now I’m stuck listening to these shitty pipedreams, ever since we –

DON’T!

YES!  Because that’s it.  Your blockbuster idea, your runaway hit.  Not inspirational claptrap, not fuckin romantic comedy.  But lurid family murder – now there’s an idea . . .

 . . . that’s what I told . . .

A hammerheaded boy, yes.   Deformed, a shut-in, with a tyrannical mother? Absofuckinlutely.  But –

. . . no . . .

- two mouths.   On the great block of his head, the human one.   And another, hidden in the folds of the skin that cascade around his neck.  This one wide and serrated.  Like a shark’s.

 . . . wrong . . . this is all wrong . . . I don’t like this pitch, no one would . . .

Well certainly not mothers.  Whiny, fearful creatures, berating and beating.   Til one day the mouth on that great block-head just can’t take it anymore, and finally goes along with what the shark-mouth has been saying, for fuckin years . . .

(Silence)

(Silence)

I . . . I still don’t think it would sell . . .

Don’t you want to find out, though?  Once we finish this mess off.  REST.  Then leave this miserable room forever.  Get an apartment . . . a typewriter . . .

. . . typewriter . . .

But we gotta finish first.  Leave NOTHING behind.   Not a single bit.

I’m trying.  Your . . . your teeth are stronger than mine.

Keep scraping the little bits off the walls.  I’ll take care of the pelvis.

Oh god. Oh god, keep it downwind it stinks like –

Shut up.  Eat.  I know what she smells like.

 

Copyright 2004 Samuel Minier